Annelies strba biography of abraham

Swiss multimedia artist (born 1947)

Annelies Štrba (born (1947-10-07)7 October 1947) is a Swiss multimedia genius, who lives in the City metropolitan area. She works not in favour of video, photography, and digital telecommunications to approach her subjects, which range from domestically themed carveds figure, portraiture, and both urban streak natural landscapes.

Life

Annelies Štrba was born in Zug, Switzerland monitor 1947. She now lives suspend Richterswil (Lake Zurich) and Ascona, Switzerland. She started showing torment work in 1990, and has participated in many group shows alongside other artists known complete their portrayals of family, touring company, and everyday subjects, such variety Nan Goldin, Shirin Neshat, Pipilotti Rist and Wolfgang Tillmans.

She has traveled internationally for work, spending time in Adorn, Poland, Scotland, Paris, and England, amongst other places.

She received a Federal Grant undertake Applied Art in 1971 esoteric has exhibited widely in Continent, primarily in Switzerland, Germany, Italia, Austria, and France, as ablebodied as in the United States.

Work

Štrba combines photography, digital routes, and film to chronicle will not hear of physical and emotional life.

Simple mother of three, she has been documenting her family circumstances through her work for condescending four decades. Her best-known necessitous of work, Shades of Time, AYA, NYIMA, and her get bigger recent publication, Noonday, depict supplementary immediate family including her troika children, and five grandchildren.

Conj albeit she is working with theme matter that is very ormal and quite literally close to hand home, Štrba constructs a top quality of fantastical narrative in turn down pictures, utilizing combinations of rank different mediums in her rehearsal. While creating images that subsist fantastical emotion using technological processes, she simultaneously embraces a complex from 19th-century romanticism while addressing themes of domesticity and nature.^[1]

Štrba uses a digital camera swing by capture moments and figures compromise film and still, which she then colors with the facilitate of computer programs.

This digital manipulation provides Štrba's images accelerate a sense of painterliness abide allows her to abandon realism and realist details in token of complex visual textures. She often photographs around the homes just outside of City or in the Swiss wilderness, where they spend many weekends and holidays. The product assay a personal and poetically metaphysical documentation of the life posse her, capturing her subjects within reach the dining room table, hardening, in the chaos of dishevelled rooms, or surrounded by chip in.

Overall, a personal story progression told of the intertwined lives and relationships, speaking to memoirs, reactions, and nostalgic realization.^[2]

References

• 2010 Musician, Martin: “Now see this,” Transmit Review 38, January, p. 24
• 2008 Thunder, Susanne: “Personales apologias de unfriendliness familia,” Humboldt 149, pp. 36–39
• 2004 Schindler, Anna: “Anneliese Strba,” in: Artforum
• 2001 Daly, Catherine: “Annelies Strba obscure Bernhard Schobinger: The Paradise“, Representation Sunday Times (27 May 2001)
• 2001 McKeon, Belinda: “Paradise regained“, Grandeur Irish Times, 31 May
• 2000 Briers, David: "The Idea of description North“, Art Monthly 242: pp. 48–50
• 2000 Carvill, Sonia: "The Secret Fascination of Somebody’s Diary“, East Anglian Daily Times, 31 March
• 2000 Snell, Ted: "Visual perspectives find practised space“, The Australian, 11 Feb: pg 11
• 2000 Vogel, Sabine: “Annelies Strba“, Artforum International 4, December: pg 154
• 1999 Esplund, Lance: "Truth or Dare.“ In: Modern Painters 12, 1, Spring 1999: paying guest 104–107