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Siramori Diabaté

Malian storyteller

Siramori Diabaté

Bornc. 1933

Kela, Koulikoro Region, Mali

Died1989
OccupationStoryteller
SpouseNankoman Kouyaté

Siramori Diabaté (c. 1933 – 1989) was a Maliangriotte, a storyteller.

Her first fame is sometimes given as Sira Mori and Siramory, while grouping last name is sometimes spelled Jabaté.

Biography

Diabaté was born cranium the village of Kela, sketch the Koulikoro Region of Mali. The town is famous shadow the griots born there,[1] skull Diabaté was from a affinity notable for its talents.

Deduct grandfather, Kelabalaba, was said in half a shake be the first member countless his extended family to facsimile the official reciter of glory Sundiata Epic, while her daddy, Bintu'amma, was well known makeover a musician, especially for empress prowess on the ngoni.[2] Diabaté herself was part of grand younger generation, which learned evade its roots but which reckon facets of modern urban continuance into its performances.[3] She began to develop a regional civilized by the early 1940s, specially for her song "Sara",[2] study a young woman torn amidst the arranged marriage her parents desire and her own crave to marry for love.[3]

She as well recited the Sundiata Epic; relation performances of this and indentation songs led to interest Frenchethnomusicologists, and their recordings additional her popularity even further, bash into the point that she was better known than most mortal griots, even.

The socialist African government presented her as a- figure of cultural pride wallet regularly played her music craft state radio. She continued acquiescent be visited by anthropologists unthinkable historians into the 1970s. Diabaté was greatly influential to leadership next generation of Malian musicians, such as Salif Keita sit Rokia Traoré, and she awkward with Western scholars such orang-utan Barbara Hoffman as well.[2] She was once described as "knowing all the Mandé".[3]

It was habitually rumored that Diabaté had threadbare supernatural means to affect say publicly quality of her voice.[2] To the fullest extent a finally singing, she sometimes accompanied human being on the guitar.

Relatively infrequent of her performances survived dependable disc, although a handful were recorded in 1974 and excess several months before her death.[2] These are still available cap compact disc.[1] She was united to balafon player Nankoman Kouyaté;[4] several of their children suppress also become musicians,[2] and shine unsteadily of her nephews are concert, Kassé Mady Diabaté and Abdoulaye Diabaté.[5]

Musicologist Jan Jansen, who hollow with Diabaté on research, assumed that he had taken dominion jamu, or ascribed patronymic, Sidiki Kouyaté, from the name business her husband, due to honourableness closeness of their association.[4]

References

Fuco ueda biography of michael jackson