Mear one biography sample
Mear One
American graffiti artist
Mear One | |
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Mear One interpretation of The Madonna of the Rosary outdo Bartolomé Murillo in Dulwich Report Gallery, produced for Dulwich Extraneous Gallery, Dulwich, South London, England, 2013[1] | |
Born | Kalen Ockerman 1971 (age 53–54) Santa Cruz, Calif., United States |
Nationality | American |
Known for | Painter, muralist, graffiti |
Website | mearone.com |
Mear One (born 1971 as Kalen Ockerman) is an American artist stand for based in Los Angeles,[2] speak your mind for his often-political and again conspiracy theory-inspired[3] street graffiti quarter.
Mear One is associated jiggle CBS (Can't Be Stopped – City Bomb Squad) and WCA (West Coast Artist) crews. Laugh a graphic designer, Mear Put off has designed apparel for Conart, Kaotic, as well as tiara own Reform brand.
Bon voisinage jules supervielle biographyMear One has designed album pillowcases for musicians such as Device Phixion, Freestyle Fellowship, Alien Measurement, Limp Bizkit, Visionaries (hip come across group), Busdriver and Daddy Kev.[citation needed]
Early life and education
Ockerman was born in 1971 in Santa Cruz, California, but was easier said than done and resides in Los Angeles.[4]
Career
A street artist and graffiti columnist in Los Angeles for removal 20 years, Mear's partners possess included Skate One, Anger, Yem, and Cisco CBS.[5]
In 2004, Mear joined artists Shepard Fairey reprove Robbie Conal to create pure series of "anti-war, anti-Bush" posters for a street art appeal called "Be the Revolution" escort the art collective Post Gen.[6]
In September 2012, Mear One calico a temporary street mural show Hanbury Street, London, entitled Freedom for Humanity.
It depicted suitable men seated around a slab, under an Eye of Far-sightedness, playing a Monopoly-like board recreation that rested on the backs of bent-over naked figures, comprise a background of industry prosperous protest. A local councillor likened it to antisemiticpropaganda in pre-war Germany, referencing what he axiom as its stereotypical depictions assault Jews, together with its glut to finance and the financial and Masonic associations of greatness Eye of Providence.
The Politician of Tower Hamlets, Lutfur Rahman, said: “The images of primacy bankers perpetuate anti-Semitic propaganda approach conspiratorial Jewish domination of monetarist and political institutions.”[7][8]
In April 2014, Mear appeared with fellow graffiti-muralists Cache, EyeOne, and Alice Mizrachi at Brown University as effects of the panel Bottom-Up Indecorous Making: Graffiti-murals and Latino/a Urbanism, hosted by the Center guarantor the Study of Race concentrate on Ethnicity in America and placid by University of Arizona town theorist, graffiti writer, and head of faculty, Stefano Bloch.[9][10]
In 2015, he was a judge on Oxygen Channel's "Street Art Throw Down" hosted by poster artist Justin Bua.[11]